Copper Reds…How Do I Know If My Kiln Is In Reduction?

It’s important to know how to tell if you gas kiln is in reduction!

I’m reposting this blog post and have added some info as I feel that it is pertinent to all of us potters that are trying to do reduction gas firings, whether they are cone 6, 7, 8, 9, or 10!

For some reason, I thought achieving reduction in a gas kiln was almost unattainable.  It seemed to me the “holy grail” of pottery and firing.  So when the kiln went into reduction without great effort or fanfare, I was totally euphoric!!

Why did I covet the “reductionist” of glazes?  Well, it’s pretty obvious when you look at pots that have been fired with the same glaze, to the same cone/temperature and compare the results.

I know that even the glaze gurus, like Steven Hill, are converting back to electric and cone 6 glazes.
Here is the link where a comparison is made:  http://stevenhillpottery.com/StevenHillPottery/ElectricGlazeFiring.html

I’m sure they have their reasons.  But for me, I’ve always wanted to high fire in a gas reduction kiln.  I DO think it looks magical – better colours, better flow, better tactileness, better everything!

Reduction is achieved in a kiln when the fire burns up all of the oxygen in the kiln and the fire must then seek oxygen in the glazes and the clay body in order to keep burning.  The resulting effect is, in my opinion, very different from the electric glazes.

The benefit of gas reduction firing is well-put by Scott Cooper at St. Earth Pottery, “Unlike electric kiln firing, fuel gives you real flame, atmospheric currents and draft, the ability to fire in a reduction atmosphere, and a nice component of drama.”

So, how did we get the kiln into reduction?  Simply by cutting off the oxygen supply by:
1.  Closing the kiln flue by slightly covering the opening with fire bricks.
2.  Closing down the oxygen wheel on the gas torches going into the kiln.

Note:  I now only reduce from the flue and leave the oxygen at the burners alone.  I start reduction anywhere from 750 degrees C to 900 degrees C and get copper reds with no worries!

To determine if the kiln is in reduction you can remove one of the peep hole bungs and if a 3 to 4 inch flame comes out, then you are in reduction.

 

In addition, the flames will be burning out of the flue.

 

 

Yahoo!  Reduction!!! Euphoria!!!  Glorious Reduction!!!

 

Sources:
http://robertcomptonpottery.com/Method-of-Gas-Firing-Pottery.htm
http://pottery.about.com/od/potteryglossaryqs/g/reduction.htm
http://www.newartpottery.com/My-attempts.html
http://www.negentropic.com/clay/process/firing.shtml
http://www.stearthpottery.com/this-week-at-st-earth/index.php

Raku, Balloon Bowls

How To Make Raku’d Balloon Bowls!

I decided for my contribution to the exhibition entitled Fragility at Sheoak Gallery at Fingal to do Raku’d Balloon Bowls and Garden Totems.

Image

So I set about making Balloon Bowls and Garden Totems.

While talking to my bestie, Judith Wagenseller from OKC, Oklahoma, USA, I discovered that I should share my instructions for making these Balloon Bowls as they are quite fun, a good class project and look awesome raku’d.

First of all, I must give credit to Tea Tree Studios, Anna Couper and Angela Walford for the great inspiration and their process photos that I saw on Facebook!

The Balloon Bowls require the acquisition of certain pottery making skills, so would make a great class project:

  • rolling a slab
  • texturing a slab
  • making slip
  • applying slip
  • making joins of clay edges
  • use of oxides

– Quite a lot of stuff in one project, but I encourage you to try it!

Here is a pictorial tutorial of how I made them:

Judith and daughter, Hattie, set about making their Balloon Bowls and these are some pics of their process and results – pretty great!!!  I love their cat in the photos – he’s soooo into pottery!!!

Raku, Balloon Bowls
Oscar is ready to help Judith and Hattie with their Balloon Bowls.
Raku, Balloon Bowls
Oscar seems a bit bored with the project, but Judith is loving it!
Raku, Balloon Bowls
Judith and Hattie’s Raku’d Balloon Bowls! Muy Excellente’!!
Cone 10 Gas Reduction Refires

Copper Reds and Reduction Refires – Cone 10 Gas Firing – Does It Help A Glaze To Refire It?

To Refire Or NOT to Refire – That is the question!

My last firing resulted in glazes that were not quite mature, so I decided to put them back through the kiln and see if I couldn’t improve them.  To some, I sprayed on a bit more glaze, but I didn’t add any more copper red.  Interestingly, I did reduce the firing – but at 950 degrees celcius – not the 750 degrees or 850 degrees that I usually do…and I got even better copper reds.  So….what the hey!  You just never know!  Copper Reds are an illusive beast!

The results were pretty good, so thought I’d post a few pics.  Better to refire than take the hammer to them if they can be improved.  If they still look awful, then I bash them!

Cone 10 Gas Reduction Refires
Blue Green Rabbit’s Fur resprayed onto bowl.
Cone 10 Gas Reduction Refires
Blue Green Rabbit’s Fur sprayed over glaze.
Cone 10 Gas Reduction Refires
Added more glaze as the first firing was very thin and ugly.
Cone 10 Gas Reduction Refires
Sprayed more chun on to the edges, but didn’t add more red (I was out of red glaze!). But it reduced and got a better red colour.
Cone 10 Gas Reduction Refires
This big bowl was just tooooo stripey. The refire softened the stripes.
Cone 10 Gas Reduction Refires
Added more chun to the edges.
Pottery class, raku

What I Learned In Pottery Class – While Teaching IT!!

I think that the one that learns the most in a class is always the teacher and this is no less true in the class that I just taught at Murwillumbah Potters. It was heaps of fun, great people, but also heaps of work!!!

Pottery class, abbot's glazes cone 6 pottery
A plethora of great glazes and great pieces of handmade pottery!

 

The final class was a dinner and the “assignment” had been to make a plate, a bowl and a cup upon which to eat our lovely shared dinner. Not all got them all done, but the results were amazing and it was really so fun just to serve and eat lovely food off of our handmade pottery!

Pottery class, abbot's glazes cone 6 pottery
Beautiful food on beautiful plates!

 

The last class was also a Raku firing as the students had made balloon pods from PB103 clay – a piece to teach rolling a slab, joining clay with slip and creating textures and stamps on clay. Pieces were bisqued, then oxides applied. We used several of my favorite raku glazes and my new fibre raku kiln. The results were absolutely spectacular and no cracks or breakage!!!

Pottery class, raku
Balloon pods raku'd!
Pottery class, raku
Balloon pods raku'd!
Pottery class, raku
Balloon pods raku'd!

So here’s some of the stuff I learned from my pottery class:

1. Balloon pods are super cool and easy and make excellent raku work.

2. Abbot’s Cone 6 glazes are the bomb! Had to fire in my gas kiln-but got great results!

3. Raku pots don’t always break! Keep trying – don’t open the lid and shut it-it causes clouding.

4. I tried to stuff too much into too small amount of time. One project per class would have been better.

5. But most of all, I learned that I love to teach, but I also love to do my own thing. I can’t let teaching divert me from my own work.

Luv to all!

Marian

 

Craft NSW Emerging Artists 2014, Lyndall Bensley

Lyndall Bensley, Ceramic Sculptor

I recently had the privilege of traveling to Sydney, NSW, Australia to attend the Awards Event for Craft NSW Emerging Artists 2014 with finalist, Lyndall Bensley.  It’s so fun to be in the presence of brilliance and creativity and possibility – all of that is Lyndall.  And on top of that she is a top chick!

We arrived in Sydney and walked across the road from our hotel in The Rocks, to see a stunning display in the window of Crafts NSW!!!! How exciting to see Lyndall’s entry, her Humpback Whale Tail, in the main window! – for all passer-bys to see!  Pretty exciting!

We then walked around Circular Quay, ran into some really amazing gallery opportunities, and then visited the Chalk Urban Art project in front of Customs House.  Absolutely brilliant!

That evening at the Exhibition Awards, we were chuffed to be among such good company – amazing talent in many types of craft.  It must have been a daunting task to select a winner.  Although Lyndall didn’t win an award, she won.  She won on so many levels.  So proud of her- she’s one to watch for greatness!

Craft NSW Emerging Artists 2014, Lyndall Bensley
Lyndall Bensley and Marian Williams
Craft NSW Emerging Artists 2014, Lyndall Bensley
Lyndall Bensley and her humpback whale tail.
Craft NSW Emerging Artists 2014, Lyndall Bensley
Presentations at Craft NSW

I recently read this on a notebook I have.  It sums it up.

“The purpose of human life is to serve and to show compassion and the will to help others.  Creativity is the ability to introduce order into the randomness of nature.  Life is an exciting business and most exciting when it is lived for others.  You cannot do much about the length of our life, but you can do a lot about its depth and width.”

Firing plates

How To Fire Plates – The Good News From The Bad News

The bad news is that my electric kiln lost an element – The good news is that I have a new way to stack plates for bisqueing!!!

Kiln elements, firing plates
Don’t know where I saw this – but it works great! Just cut the old element into small segments.

Firing plates

Place them on the plate in a equidistant fashion, stack on the next plate and repeat!

Firing plates
Stacked Plates Ready to Be Fired.

No cracks, warps, and it saves kiln shelf space! Absolutely brilliant!

 

Merran Esson Workshop

Merran Esson!

Merran Esson Workshop
Merran Esson

Did I mention that I’m sort of a workshop junkie?! Well, I am and am I happy about it!  Got to go to the Ceramic Skills Workshop by Merran Esson at the Gold Coast Potters and sponsored by the Gold Coast Arts Centre.

Work by Merran Esson
Work by Merran Esson

She’s such a legend and I have admired her work for a long time.  Her website (Click Here) will give you heaps of information about her and her many accomplishments.

Merran Esson workshop
Merran Esson talking to the workshop participants outside the studio.

She got us all started making very organic and earthy forms by taking us on a tour of the area around the studio and showing us how to get great textures on our clay using the natural textures in the world.  By using a bit of talc (Merran suggested a sprinkling container of baby powder as the easiest method if you are at the beach or out in nature) to keep the clay from sticking to the rock, tree or other texture that you have decided to use.

These are the clay slabs that I textured and got ready to use.

Merran Esson workshop
Textured Clay Slabs
Merran Esson workshop
This is the shape on cardboard that I got as my starting point.

Once back inside the studio, Merran gave us each a piece of cardboard with a shape drawn on it.  This was to be the base shape of our form.  A first piece of clay was placed on the cardboard and the building began.

Please click on the small images to see a larger version of each pic.

Merran also demonstrated making a form for a piece by taping cardboard together.

Her outcome was brilliant!!

Our final outcomes were pretty darned amazing!

So you have to ask, why all the workshops!?  Well, I always come away feeling small and unworthy, but inspired!  I always see a side of clay work that I hadn’t considered before and I learn some new techniques with each workshop.

I guess like they say, when I quit learning, I’ll be dead!

Peace out, my little pottery earthlings!

Marian

Barrel firing

Raku! Pyromaniac?! – I Think I Am One.

Burning Trash!
Burning Trash!

It all started when I was a kid. There were 3 types of afternoon/after school chores- and 3 of us kids- so each of us got one chore. One was – take out all the trash and burn it. 2. Take out the garbage and feed the chickens. 3. Feed the pigs-water the trees. Guess which one I picked?

Back in my day, you could actually set fire to all your trash in a daily basis if you wanted. Sometimes we’d let it pile up for a couple of days, then burn it. We had big 50 gallon metal drums for our trash bins- so they held a lot.

There’s absolutely nothing like striking a match (no gas lighters here!) and catching a piece of Kleenex or newspaper on fire and then watching it spread. It’s so fascinating to watch how various things burn and how they are consumed by fire! Orange peels don’t burn very good at all- but cardboard and plastics make fascinating viewing! To heck with after school tv programming! Who needs it when you can watch trash burn!!

But I digress. The point I’m making here is that I’m pretty much a pyro – and from an early age!

Marian Williams-Raku
This is how jubilant I feel when rakuing! Marian Williams

We recently had a raku firing day at our barn. About 20 people showed up! Each with that familiar pyro maniacal look in their eye- fire!!!

Raku
Sandy, Ronda, Warwick and Carol
Jacki glazing her pots for Raku
Jacki glazing her pots for Raku
Raku
Ann, Shirley and Nora are glazing pots for raku.

That song from The Crazy World of Arthur Brown- “fire” came to mind as we lit up the flames and gathered round to gawk at the molten hot pots being pulled from the flames and then allowed to ignite even more fire in the reduction cans! Oh the glory- the passion- the thrill of a burning flame !!! Pyros! One and all!!

http://www.youtube.com/watch?v=FaHEusBG20c


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Bill Powell-Crystalline Glazes

Bill Powell: Rock Star of Crystalline Glazes!

Bill Powell-Crystalline Glazes
A Gorgeous Crystalline Glaze Pot by Bill Powell

Recently, Lyndall Bensley, Peter Smith and I headed up the M1 to Nerang, Qld to visit the studio of Bill Powell, Crystalline Glaze Meister Extraordinaire!

Bill Powell-Crystalline Glazes
Bill Powell

Bill was showing us his big kiln as that is something that Lyndall Bensley could use in firing her big sculptures.

Bill Powell-Crystalline Glazes
Lyndall Bensley is giving Bill Powell’s big kiln a thumbs up!

Peter Smith is also a crystalline glaze artist and was absolutely fascinated to meet Bill – who is by the way, well-known for his glazes around Australia and Internationally.

Bill Powell-Crystalline Glazes
Peter Smith and Bill Powell

Man!  We couldn’t believe it when we got there!  Fabulous crystalline glazed pottery everywhere! Strewn about the yard! And each piece looked like a million bucks to me!  Crazy!! Click on small pics to go to a gallery to see pics larger -which you will want to do!  These glazes are seriously crazy amazing!

Bill’s glazes are spectacular and his passion for the work and his glazes is amazing.  He is so knowledgable about the crystalline glazes, the process and is very free with his information – quite the guy!

Bill Powell-Crystalline Glazes
Bill Powell and Lyndall Bensley chatting about his work and process.
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes
Bill Powell-Crystalline Glazes

He also showed us his set up for photographing his work and the changes that he is making in that process.

Bill also slipcasts his work and the system that he uses is fantastic!

Bill Powell-Crystalline Glazes
Bill Powell chatted with us about his slip casting process.
Bill Powell-Crystalline Glazes
Bill Powell explaining his slip casting process.

Here are a few more pics of his pots and  the gorgeous crystalline glazes!

To learn more about Bill Powell and his work, check out his website:  Bill Powell Art & Design

Bill Powell on Facebook:  https://www.facebook.com/billpowellart

Here is a great video showing his expertise in throwing!!!

All in all, it was a great day.  Thanks to Bill Powell for being such a gracious host and all around great guy!

Cheers, mates!

Marian

 

 

copper red glazes-glazes-pottery-ceramics-

Copper Red Glazes- Firing Results

copper red glazes-glazes-pottery-ceramics-My obsession continues!  but…I’m getting better results and more consistently!  still drips on the bottoms and kiln shelves, but I’m working on remedying that.

copper red glazes-glazes-pottery-ceramics-
Copper Red Glaze with very uneven reduction. Also notice the nice feet on this bowl!

One of the issues that I’ve been having is inconsistent reduction as seen in the pic above.  From the Brian Keyte Workshop, I learned that I must reduce only from the flu (not the gas burners) to get a good even redux.  So that will be what I try in my next firing.

copper red glazes-glazes-pottery-ceramics-

Don’t you love it when all the stars align and the glaze actually does what you want it to?  This is a great red in my humble opinion.

Here are more photos of some of my pots out of my the latest cone 10 Redux firing.

Lots of big bowls!

I started redux at 750 degrees celcius and got great copper reds!

copper red glazes-glazes-pottery-ceramics-
Very thick poured application of copper red with teal stripes.
copper red glazes-glazes-pottery-ceramics-
Just red!
copper red glazes-glazes-pottery-ceramics-
Copper Red and (Truly Southurst) Chun – It stopped just in time!
copper red glazes-glazes-pottery-ceramics-
My heart bowl sold!
copper red glazes-glazes-pottery-ceramics-
Drunken cups and Copper red bowls at the open day exhibit.

 

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